I am looking forward to this experience immensely and remain incredibly grateful to Sundance & BMI for the opportunity. I've watched the film I'll be working on (I LOVE IT!) and connected with my director and sound designer, both incredibly talented, lovely people. Next, Skywalker Ranch!
Tickets are booked and the day is approaching - I am completely thrilled to have been chosen as a Composer Fellow in this year's Sundance Institute Film Music Lab, held at the legendary Skywalker Ranch.
Deeply grateful to Peter Golub & the team at Sundance, as well as Doreen Ringer-Ross and the team at BMI! Check out more about the Fellowship below.
Very grateful to have my arrangement of "Let All Mortal Flesh Keep Silence" as a featured use on The Blacklist recently! A very creepy scene...big thanks to 5 Alarm!
I could not be more excited about all the projects I have in production!
I'm back working with Night Owl Republic Films and my dear friend, the immensely talented director Addison Henderson. We have two more films in production, and wrapped on Neon Dreams earlier this year. It's a meditative, thought-provoking and dark sci-fi short that's very close to my heart.
I also had a great meeting today with Karl Stelter, a visionary director I've been excited to work with for so long. The Long Goodbye was shot last weekend on location in Arizona and I got to see some of the footage today - just gorgeous. This is such a powerful story and we've begun exploring what the sonic world of the film will be.
I also got to see the rough cut of VIRTUALLY and it is looking AMAZING! Been exploring themes and sound palettes for this project as well! I am thrilled to be working with the incredible Patrick Hogan and the wonderful team behind this post-apocalyptic romantic short.
Last but not least I've been brought on to compose the original score for LOOKING FOR LEIA, a six-part docuseries about women in the Star Wars Fandom. Anyone who knows even a little bit about me knows how obsessed I am with Star Wars, so I am completely honored to be helping tell the stories of all the incredibly diverse women featured in this groundbreaking project. You can check out the teaser trailer below!
A wonderful selection of scores have been nominated!
OF COURSE, my favorite and what I think will ultimately win the golden statuette: JOHN WILLIAMS, THE LAST JEDI. Powerfully complex, subtle, emotional, and the full power of a master on display.
Jonny Greenwood, always an incredible voice to listen to, has his first-time nomination with THE PHANTOM THREAD. Just gorgeous work!
I also really enjoy Alexandre Desplat's beautiful work on THE SHAPE OF WATER
Carter Burwell lends his unique vision to the evocative score for THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI
Who will ever forget the viscerally powerful and blisteringly effective score for Dunkirk by Hans Zimmer?
I would have loved to see JOHN DEBNEY nominated for THE GREATEST SHOWMAN, MICHAEL ABELS for his work on GET OUT, as well as Tamar-Kali for her work on MUDBOUND. I also loved BENJAMIN WALLFISCH's score for IT.
Looking forward to watching the ceremony! Congrats to all!
2018 is off to a great start, with two fantastic short films I'm signed on to score starting production in the coming weeks, and one entering post-production as we speak. I'm also wrapping up work on an awesome Star Wars Fan Film, which of course I loved working on due to my intense 30+ year Star Wars obsession. And that brings me to Episode VIII, which I have already seen 7 times in the theater! OF COURSE - spoilers below!
I don't have words for how much I loved The Last Jedi and John Williams' sublime score. He's doing something so incredibly subtle with the way he manipulates the existing themes - building up to what I believe will be a treasure trove of new material in Episode IX. A few of my favorite selections are below!
I've been extremely lucky over the past 2 months to be invited to two very special scoring sessions. The first one was at the legendary Newman Scoring Stage on the Fox lot, and I was the guest of one of my favorite composers of all time and someone I'm lucky enough to call a true personal hero and friend. I can't really explain how satisfying and educational it was to see how a real, A-list, top level session is run. From the composer at the podium to the director to the concertmaster, everyone had a fun, seamless way of communicating and all the fine musicians in the orchestra and booth were clearly having the time of their lives. I sat transfixed hanging on every note.
The second session was at the Eastwood Scoring Stage closer to home, at Warner Brothers, also an incredible hall with generations of storied film scores having been recorded there. This featured the work of a composer I wasn't as familiar with, but again, I was so impressed with the music and professionalism on display. Once again there was that thrill in the air of pure enjoyment and happiness.
I am a firm believer in the idea that "if you can see it, you can be it." Now I can very clearly visualize being on these two stages recording my own music with these unbelievably gifted musicians. And now I see how months and months of hard work and painstaking process lead to that glorious moment when everything comes together through the bombastic sound of a full orchestra of LA's finest, and the director's face lights up as they hear the composer's vision taking their storytelling to new heights. Priceless education for me and I'm eternally grateful!
I am so excited to be working with a brilliant filmmaker and a crew of incredible artists on the upcoming short film, The Long Goodbye. The project is fundraising on Seed & Spark currently - this whole project means a lot to me as I recall the beautiful memories of my grandparents that I will always treasure. Take some time to check it out and if you feel so inclined, support the film! Thanks and CALL YOUR PARENTS/GRANDPARENTS! :) Family is Everything.
5 Alarm was brought on to do a custom arrangement of an amazing gospel song for a key scene in the NatGeo series, The Long Road Home. I was honored to do the arrangement and be at the session which took place at Savant Productions, with a group of incredibly talented singers. Kudos to the show runner, music supervisor and everyone involved in this powerful, important story. The score is being composed by Jeff Beal, one of my composing heroes. The Long Road Home is premiering soon and I will be sure to post our scene when it is available.
Virtually is about halfway through its crowdfunding campaign. I am hoping to bring back our amazing cellist from the teaser trailer for the full score - along with some of our other amazing LA musicians, and record at a great location. Here is the link for the Seed & Spark campaign should you feel like supporting this great piece of independent cinema!
Very excited to be working on this short film - I also scored the teaser trailer and my director had it mixed at Paramount! Thanks for inviting me - I had a great time wandering the lot and visiting the beautiful Technicolor building!
Still vital. Still pushing himself. Still questioning. Still growing.
Congratulations to all the Emmy nominees, especially in the Music categories! Proud to see the names of so many 5 Alarm clients in the music supervision category, and so many composer heroes in the scoring category!
Another fun detail is that Dolly Parton's Christmas TV movie, "Dolly Parton's Christmas of Many Colors: Circle of Love" was nominated for Best TV Movie. I had some of my Christmas music featured in this TV movie, through 5 Alarm. So I can now say I've had a placement on an Emmy-nominated program!
Very excited that the short film I scored for director Samantha Shada will be premiering at the LA Shorts Film Festival! Details are here:
LA Shorts Program 6
Thursday, August 3rd, 3:15PM
Laemmle NoHo 7
5240 Lankershim Blvd
North Hollywood, CA 91601
Congrats to everyone involved! Just as an interesting note, I scored this film while on maternity leave, with my daughter sleeping on my shoulder.
I received some photos from the recording session and I love them so much! What an honor it was to record with the Fames Project Orchestra - I highly recommend!
I am so grateful to Laurent, Oleg, Aude and everyone at the FAMES Project Orchestra in Macedonia. They did an INCREDIBLE job recording my Kushiel music! We only had two hours to accomplish some technically challenging stuff so it was amazing to see how organized and professional they are. Wonderful musicians who played their hearts out!
For years I always wrote up my thoughts on the Oscars Best Original Score category - I'm excited to head to my mother in law's house this weekend for our annual Academy Awards get together!
Justin Hurwitz wrote a beautiful, jazzy, ear worm-y score for "La La Land" that is an homage to classic Hollywood.
I have loved Dustin O'Halloran's work since hearing his achingly poignant and nostalgic theme for the TV show "Transparent." He is nominated for the film Lion and I really adore hearing his singular voice in this score.
Mica Levi's challenging score for Jackie is being praised as the "marrow of the narrative." Definitely unforgettably paired with the images and emotions of the film.
Thomas Newman, beloved titan of film score, brings his signature touch of atmospheric emotion and longing to this incredible score for "Passengers"
And I saved my absolute favorite for last. I think "Moonlight" is a complete and utter masterpiece in every sense of the word. It is an incredibly poetic, moving, beautiful, important film, and Nicolas Britell's score is perfect in every way. I will never forget the way this music made me feel and how I wept watching this movie. This is my pic for the win!
I had such an amazing time attending the Guild of Music Supervisors Awards with my team from 5 Alarm Music last night! We were official sponsors. The event was held at the theater at the Ace Hotel in the heart of downtown LA, and it was an incredible night filled with friends, colleagues, clients, food, drinks, music and an atmosphere of celebrating excellence in our industry.
I was lucky enough to be able to attend another seminar sponsored by the AWFC, this time with legendary score mixer John Rodd. He has worked on some of the biggest films, video games and TV shows in the world. Such a great teacher and incredible gentleman! The class was on mixing, breathing life into your virtual mixes and so much more. Really grateful for the opportunity! Always learning...
We had an amazing seminar this week at KEM organized by Miriam Mayer, Dan at KEM and myself. Richard Kraft and Sarah Kovacs generously donated their time to a group of composers from the AWFC and Perspective Forum.
When I analyzed the spreadsheets we completed at the Forum - all the feature films that had theatrical release in 2016, and all the television shows that aired - women composers made up about 3% in both worlds. How to address this and bump that percentage up? There need to be more women running the marathon. Richard and Sarah are doing what they can to help encourage that into reality.
We talked about life, attitudes, shifting perspectives, expectations, music, demos, applying to score feature films, gratitude, helping others - so many incredible topics covered. It was funny and wild and wonderful. So much composing talent packed into one room, I kiiiiind of couldn't handle it - many of my personal heroines. Thank you Miriam for your initiative and drive and pizza. Thank you again Richard and Sarah for giving so much to our community.